In an online interview last month, "Eastbound & Down" creators Danny McBride and Jody Hill gave a nice shoutout to the Triangle music scene. Asked their favorite bands, they listed Black Keys, Avett Brothers, Jesus and Mary Chain, Bob Seger, MC5 -- plus Dynamite Brothers and Lonnie Walker,  two groups that  call the Triangle home.

McBride and Hill come by their Tarheelia honestly, since they studied film at the University of North Carolina School of the Arts. So it's no surprise that Sunday's episode of the HBO series will include a Lonnie Walker song, "Heartbreakin' Ball," which you can hear playing over the concluding synopsis and end credits. Tune in at 10 p.m. Sunday.

Dynamite Brothers have had songs on the show, too, and drummer Scott Nurkin even appeared in an episode this season, playing in an onscreen band.

In this age of on-demand micro-niches, the consensus implied by year-end top-10 lists is truly a thing of the past. The very idea of "albums" seems pretty dated, too. And yet good ones are still coming out all the time, albums that hold up as complete listening experiences. Here are the 10 that I found myself returning to most often during 2011, most (but not all) of them far from the charts.

(1) Wilco, "The Whole Love" (dBpm) -- Proof that clean and sober does not necessarily equate to dull. Thanks to Jeff Tweedy's anguished yelp, "The Whole Love" courses with a tension that does not release until the epic closer, "One Sunday Morning," which is as pretty and hopeful as a sunrise.

(2) Bon Iver, "Bon Iver" (Jagjaguwar) -- Who knew that Justin Vernon had a musical crush on Bruce Hornsby? Vernon's second full-length as Bon Iver follows up his debut's rustic folk with the sort of lush synthesizer ambience that was topping the charts 25 years ago, without sounding the least bit musty.

(3) Gillian Welch, "The Harrow & The Harvest" (Acony) -- How Welch and David Rawlings get so much out of so little remains one of the wonders of our time. This is just voice and acoustic guitars, yet it somehow conjures up vast and deep galaxies of feelings and images.

(4) The War on Drugs, "Slave Ambient" (Secretly Canadian) -- Where Bon Iver uses technology to evoke crystalline frigidity, Adam Granduciel conjures up something far warmer with The War on Drugs. "Slave Ambient" sounds like a combination of Bob Dylan and Tangerine Dream, and it's brilliant.

(5) Youth Lagoon, "The Year of Hibernation" (Fat Possum) -- In a similar vein is Youth Lagoon, nom de plume of Trevor Powers, a young man from Idaho who makes dreamy bedroom pop. It sounds impossibly far away until you realize it has wormed its way into your heart.

(6) Black Keys, "El Camino" (Nonesuch) -- Beck hasn't been heard from in a couple of years, but this Ohio garage-rock duo fills in for him admirably. "El Camino" stands as a very tasty junk-culture pastiche that's more pop than blues, but it's still plenty of both.

(7) Megafaun, "Megafaun" (Hometapes) -- So much popular music can seem like a huge dead end. But in the capable hands of this Triangle trio, it's a living, breathing thing on their third album -- a sprawling, weird and wonderful folk-rock concoction.

(8) Wye Oak, "Civilian" (Merge) -- Take the earnestness of revivalist folk, add a bit of electronic texture and guitar wizardry, turn the seriousness way up and add a chewy pop center of catchiness. Presto, you've got the latest from this Baltimore duo. The best album Durham-based Merge Records put out this year, and that's saying something.

(9) Smoke Fairies, "Through Low Light and Trees" (year 7) -- This British twosome is aptly named, in that their music evokes misty mountains cloaked with the forest primeval. You half expect King Arthur himself to come riding up.

(10) Tom Waits, "Bad as Me" (Anti-) -- Waits' albums all sound like he's cut out a small piece of himself and set it to deep, primitive blues. "Bad as Me" is no exception and it's not an easy listen -- but it is an effective one, heavy on the bangs and clangs. There's still no one better at always sounding exactly like himself.

It never hurts to have a famous person who likes your music and takes up your cause -- especially if that famous person plays drums in the Black Keys. That would be Patrick Carney, who has been a mighty hip patron to the Knoxville group Royal Bangs for the past few years. Carney put out Royal Bangs' first two albums on his label and took them on on tour as an opening act for multiple Black Keys tours. Now the Royal Bangs are headlining themselves, and they play in Chapel Hill Friday night. For details, see the preview in Friday's paper.

Going into Sunday night's Grammy Awards ceremony, conventional wisdom was that Durham-based Merge Records would win one. But almost no one could have predicted that it would play out as it did, with Merge's Arcade Fire losing in two minor categories before unexpectedly walking away with the evening-ending grand prize: album of the year, over a field of nominees including Eminem and Lady Gaga.

Merge co-owners Mac McCaughan and Laura Ballance missed seeing it in-person because their band Superchunk is about to start a Japanese tour. McCaughan was already in Japan by Sunday, while Ballance turned her phone off and went to bed because she had a flight early Monday morning.

But Merge publicist Christina Rentz and retail director Jamie Beck were at Los Angeles' Staples Center to bear witness. And Beck actually called Arcade Fire's victory in advance.

"Maybe I'm naive, but I'm hopeful all the time," Beck said. "We found out Arcade Fire was playing last, and I knew that the album-of-the-year winners are usually panting when they accept because they've just come offstage. So we had theories about them slipping in and surprising everybody."

Still, Arcade Fire seemed like the longest of longshots to take album of the year -- especially after losing to Black Keys for best alternative album, which most observers expected Arcade Fire to win. Things looked even more dire when Black Keys also beat out Arcade Fire for best rock performance by a duo or group with vocals.

Just under five hours after that announcement, Arcade Fire took the stage to play, the last album-of-the-year nominee to perform. Barbra Streisand was the presenter, and she seemed almost puzzled as she called out the winner.

"When Barbra Streisand stuttered out their name, we just screamed at the top of our lungs," Rentz said. "We were up on the second level and everybody around us was leaving -- they had no idea who we were or the band was. We were completely stunned."

After a quick acceptance speech by frontman Win Butler, Arcade Fire went back to their instruments and played a second song as a victory-lap outro while the credits rolled. The band's after-party was a jubilant affair, with bassist Richard Parry declaring, "We robbed a bank!"

"We were saying that it kind of felt like the world tilting a little bit," Rentz said. "I did tell Win that the best way to celebrate this would be for them to come play in North Carolina -- 'C'mon, guys, we'll have a barbecue for you!' They were leaving for England the next day for the Brit Awards and I told them, 'Good luck topping this!' They just laughed and said, 'Don't worry. It won't.'"

ADDENDUM (2/20/11): Dissent!

Grammy saved its best for last for Merge Records. It looked like the Durham-based label was going to strike out despite earning three nominations for Montreal rock band Arcade Fire's "The Subburbs." After losing both alternative album and rock performance by a duo or group with vocals to the Black Keys, Arcade Fire seemed like a long shot to win album of the year.

In a stunning turn-around, however, Arcade Fire won the prize over Eminem, Lady Antebellum, Lady Gaga and Katy Perry. It was the final award handed out, and the first Grammy that Merge has ever won. And in a nice little extra bonus, the group got to close the telecast with another performance -- the only group that got to play more than once. The Grammy Award sitting on an amp was a nice touch.

It looks like Arcade Fire, and Merge, won the Grammys.

Kings of Leon played Raleigh Monday night. Click on through to see how it went, and whether or not they managed to avoid any unfortunate avian encounters; and while you're at it, check the photo gallery of shots from the show.